That darn Warren Ellis points me to books. He pointed me to Corey White’s Killing Gravity with the words “space witch!”
That may not be enough for you. Killing Gravity is a short, fast paced, space opera thriller. There are several sparkling bits of prose in there, though it feels a bit like a video game movie. It is smooth and snappy with its pleasures. Quite enjoyable.
Recommended. And the main character is a space witch.
I do enjoy me the occasional potboiler. The Ark falls squarely in that topic. It is Boyd Morrison’s tale of a two-fisted engineer and his beautiful archaeologist partner saving the world from a megachurch-founding Bond villain while racing to discover the secret behind Noah’s Ark. In some sense there’s nothing more to say.
I’ll say a little more.
I found this because I met the author’s sister a few times. That probably colors my review favorably, but I hope not too much.
It’s a very well written, tightly plotted thriller. The plot’s intricate and zippy. This is a fun book to read on a plane or generally while the time away with. A snappy plot is harder to execute than many people think. There’s got to be enough intricacy to keep the reader interested and belief suspended without getting bogged down in excessive description or exposition. Morrison roars down that fine line like it’s a wide boulevard. He’s clearly mastered this and enjoying it; his delight is infectious.
Don’t expect great literature, but it is great fun.
Recommended.
When I was reading SF in my younger days, I tended to stick to hard SF and Space Opera. Those have their pleasures, and expand one’s thinking in some interesting ways – though often in what’s missing than what’s there, I’ve been gravitating toward more literary SF of late. The freedom to speculate seems even more powerful to me when meshed with a fresh contemporary point of view. Dhalgren and and the like (if there is anything like Dhalgren) have been greatly invigorating.
Octavia Butler came to my attention via the brilliant KPCC show Off-Ramp. After hearing her praises from such a trusted source I had to read something and I picked Parable of the Sower. It lived up to any hype.
Parable is set in a near-future collapsing America well on its way to dystopia. Butler brings a keen eye for how real communities and people behave to this world. The collapse is not with a bang, but a progression. Individual neighborhoods and suburbs hold on to different degrees, but they are being slowly consumed by the larger collapse. One can see the frog boiling, but it’s also clear why the people in the world don’t. And why we probably wouldn’t. People’s powerful cocktails of experience, continuity, and hope will leave them in various positions of denial.
Importantly, Butler breathes life into both communities being overrun by mobs and the mobs doing the overrunning. Every one is believable and to some extent sympathetic. It is difficult to imagine walking a mile in even the worst mob member and condemn them. Having seen this, many other fictional societal collapses feel contrived.
At the core of Parable is a young woman who perceives the danger and also takes inspiration from some bits of the collapsing society. She’s a slowly forming charismatic leader motivated to form a community to carry a form of civilization forward. Again, one believes who she is, even as the question of who in the world might follow her, and if that’s a good idea remains profoundly open.
The idea of community is central to Parable. Butler depicts the collapsing communities – from nation through neighborhood to family – with compassion and power. It seems to me that she also believes that humans will always form communities, and so she shows us the evolving tribes and the sorts of connections that form them. It is a virtuoso performance with much to learn from and consider about it.
By the way, her writing is quite brilliant taken sentence-by-sentence and chapter-by-chapter.
Strongly recommended.